Wednesday, May 1, 2013

A Visit to the Cloisters

I spent a part of my recent vacation/study leave time traveling to New York City to visit the Cloisters Museum. This branch of the Metropolitan Museum of Art is located at the very northern tip of Manhattan, in a park up on bluff overlooking the Hudson River.


The Cloisters is a reconstruction from ruins of several different medieval monasteries. There are columns, stones, windows and other structures from monasteries built in France and Spain that date back as far as the 11th century. John D. Rockefeller, Jr., who was the driving force behind the creation of Colonial Williamsburg, was also the one who led the creation of the Cloisters in the late 1930s.


 The museum provides the ideal setting for the display of devotional works of art from the 11th through 16th centuries: stained glass, sculpture, altarpieces, illuminated manuscripts and prayer books fill the rooms just as they once did in chapels and other rooms that were part of many different European abbeys. To walk through the Cloisters is to walk back in time, as though you are cowled and tonsured, a part of community gathered in the 14th century to worship God through Jesus Christ.

Few people could read and only priests had access to the Bible, so churches and monasteries commissioned paintings, sculpture and other works of art to tell stories from the Bible. The birth narrative has always been a popular subject for artisans of all kinds; the Cloisters is filled with artworks devoted to our Lord’s birth. Among the many beautiful pieces was a stained glass panel from the 1500s featuring the visit of the Magi.

Tapestries had become popular by the end of the 15th century and there are a number of exquisite tapestries hanging in the museum. One large one, dating from 1500, traces the life of Mary with extraordinary color and the detail captured by needle and thread. 

My favorite piece was a whimsical statue of Jesus astride a donkey, hearing the crowds shout out “Hosanna!” on that first Palm Sunday. The statue was mounted on a cart, clearly designed to be part of a Palm Sunday parade – a joyous, noisy celebration in an otherwise quiet monastic community.

I will lead an Adult Education class on Sunday morning at a later date to share more pictures from this extraordinary museum. Come join me as we look and learn how Christians through the centuries found ways to give expression to their faith, praising God, even as we do today, with beauty and our creativity.


Grace & peace,

Pastor Skip